Music at RMC

Music is a core, Vivamus ut ex nec lectus egestas vehicula at eget erat. Nullam non ultrices sapien. Maecenas quis nisi sodales, dignissim risus a, efficitur tortor. Integer hendrerit lectus a libero vulputate consectetur. Donec ut viverra magna. Aliquam facilisis mauris enim, a fermentum mi rhoncus quis. Donec tellus tellus, consectetur sit amet venenatis at, condimentum vestibulum ex. Mauris mollis quis mi non iaculis.

Services contain lots of differnet music, In nisi nisi, porta vel velit vel, fermentum aliquet diam. Donec convallis accumsan diam, id rutrum sapien venenatis ultricies. Quisque interdum ipsum sed mollis sollicitudin. Cras a sapien congue tortor porta ultricies ut nec magna. Etiam ornare posuere luctus. Nunc luctus erat non massa tincidunt sollicitudin. Sed commodo molestie cursus. Pellentesque lobortis purus id sollicitudin interdum.

This little light of mine

From morning service 19th April 2026

Thine be the glory

From Easter Sunday 2026

Lo! He comes with clouds descending

From Advent Sunday 2025

In Christ alone

From morning service 24th August 2025

The Church Choir

Instrument Group

The Church Organs

Much of our singing is led from the organ, making it central to music in the church. For most of the church’s time this was provided by the 1899 Sweetland tracker action organ that sits in the South East corner of the church. However, in 2024 it was decided that the non-standard tuning of the organ, heavy tracker action and relatively limited stop choice warrented the purchase of a new digital organ.

2024 Viscount Envoy 350-FV

Reigate Methodist Church has a number of organists, and so this bespoke organ was designed to allow for a wide range of playing styles. It has three manuals, and within them incorparates some of the different organ building traditions. The choir division draws from traditional English stops, with slightly mournful souding diapasons, gentle mutations and refined solo reed stops. The swell division is largely made up of German Boroque stops, with a distinctly wooden sound and brighter mutations. The exception is the reeds which are fuller and richer than would normally be found, and are more closely resemble English swell reeds. The great is a mixture of stops copied from the old pipe organ, and punchy Duch Baroque stops such as the 8ft Principal which makes the organ highly effective in encouraging congrgational singing.

Choir

16Lieblich Bourdon
8Open Diapason
8Gadackt
4Gemshorn
4Lieblich Flute
2⅔Nazard
2Flageolet
1⅓Larigot
IVMixture
8Clarinet
8Tuba
Tremulant
Swell to Choir

Great

16Double Diapason
8Principal
8Open Diapason
8Clarabella
8Stopped Diapason
4Principal
4Harmonic Flute
2⅔Twelfth
2Fifteenth
IVMixture
16Contra Fagotto
8Trumpet
4Clarion
Tremulant
Choir to Great
Swell to Great

Swell

16Bourdon
8Prinzipal
8Rohrflöte
8Gedackt
8Salicional
4Oktave
4Waldflöte
1⅗Tierce
1Piccolo
IIIScharff
8Cornet
8Cornopean
8Oboe
4Clarion
Tremulent

Pedal

32Double Open Wood
16Principal-bass
16Subbass
16Bourdon
8Principal
8Bass Flute
4Choral Bass
32Contra Bombarde
16Bombarde
16Trombone
8Trumpet
Great to Pedal
Swell to Pedal
Choir to Pedal

1899 Sweetland

The pipe organ remains playable and is still regularily used. It is of some historical significance of one of the few Sweetland organs still playable with few modifications, and forms an important part of the church.

Great

8Open Diapason
8Clarabella
8Dulciana
8Gamba
4Harmonic Flute
4Principal
Swell to Great
Swell sub to Great
Swell super to Great

Swell

8Open Diapason
8Salicional
8Lieblich Gedact
8Voix Celeste
4Principal
2Harmonic Piccolo
8Cornopean
8Oboe
Tremulent

Pedal

16Bourdon
8Flute
Great to Pedal
Swell to Pedal

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